Curtain Black

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Palmer Floral Toile Drape Panel with Tieback—Add some French inspiration to your décor with the Palmer Medium Scale Monochromatic Floral Toile Pattern. The beautifully designed pattern and cheery colors are set on a neutral/tan background making them a perfect addition to coordinate within your decorating ensemble. Made with 100% cotton creates a smooth draping effect and softer texture that some times can't be achieved with inferior synthetic fabrics. Each panel is constructed with a 1.5-inch rod pocket, 2.5-inch header and finished bottom hem. A single matching tieback is included. Sold as a single panel width is measured overall 50-inches and length is 84-inches from header top (ruffle above the rod pocket) to bottom of panel. Use multiple panels to custom fit for your needs. Also perfect to use for patio doors. Coordinating Palmer valances, shower curtain and toss pillows also available thru Amazon. Conveniently machine washable. Made in the USA The beautifully designed pattern and cheery colors are set on a neutral/tan background making them a perfect addition to coordinate within your decorating ensemble

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EMINEM THE EMINEM SHOW

Any lingering doubts as to the depth of Eminem's skills or his potential for raw yet compelling honesty are dispelled on The Eminem Show's first track. Armed with a quicksilver flow and a thundering rhythm track (the record was exec produced by longtime mentor and partner Dr. Dre), "White America" finds Eminem ferociously mauling the hand that feeds him, lambasting his critics, the industry, and the racism that, in many ways, helped make Marshall Mathers more than just another rapper. "Let's do the math," Em sneers, "If I was black I would have sold half/ I could be one of your kids/ Little Eric looks just like this." After the bombast of The Marshall Mathers LP and Eminem's well-noted use of sexual epithets, this kind of material is made more controversial because it actually rings true. From a brutal retort to his long-estranged and equally troubled mother ("Cleaning Out My Closets") to a surprisingly tender ode to his child ("Hailie's Song"), Eminem examines his life, loves, arrests, addictions, failures, and successes with surprising insight, making this a funk-drenched hip-hop confessional well worth the hype. --Amy Linden

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All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

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If anything defined the 20th century as the age of anxiety, it's the cold war with its ultimate no-win nuclear endgame. While conflicts in Korea and Vietnam dragged on, providing the traditional images of modern warfare, some of the conflict's most dangerous battles were invisible--tactical, intellectual, and fought primarily in the minds and war rooms of U.S. and Soviet leaders: Kennedy, Krushchev, Castro, Kissinger, Gorbachev, and Reagan. This 8-volume, 24-episode series, narrated by Kenneth Branagh, is a comprehensive history that examines the key events of the arc of the Soviet Union, from its birth to its fall, and provides a thorough analysis of what was going on behind closed doors. Informed by the stories of 500 eyewitnesses--from citizens and soldiers to historians and statesmen--and strengthened by painstaking reconstruction of archival historical film footage, CNN's Cold War is a heroic undertaking and a sweeping chronicle of the world's most fragile decades. --Susan Benson

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The Century of Warfare ~ Iron Curtain: The Cold War 1946-1989

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1) COMRADES 1917-1945: Though ideological enemies, the Soviet Union and the United States are allies against Hitler during World War II. At the end of the war, Europe is divided, and the one-time allies now confront each other. The United States has the atomic bomb. - 2) IRON CURTAIN 1945-1947: The Soviet Union dominates Eastern Europe. Churchill warns of the consequences. Stalin insists that the governements of the Soviet Union's client states be pro-communist. Impoverished after the war, Great Britain opts out as a world power. The United States assumes the mantle of world leadership.

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No more screens left open. No more slamming screen doors. Use everywhere, even in apartment and condos where standard screens are not allowed. 32 in. Fits standard back doors 31 in. - 33 in. Wide 78 in. - 80 in. Tall

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The 120-volt Wagner 915 power steamer can be used in every room in your home. It uses a pressurized steam system to complete repair or renovation jobs like removing wallpaper and also cleans and sanitizes your home from top to bottom. Use it to clean grills, greasy stovetops, bathroom tile, and more. The power steamer works without chemicals, so it's safe and non-toxic and won't leave behind any messy residue. It comes with a variety of accessories, including a window/tile squeegee, floor-cleaning brush and cloth, two extension tubes, measuring cup and fill funnel, and assorted utility brushes. On-Demand Power SteamerAt a Glance:120-volt multipurpose cleaning systemSafe, chemical-free way to remove wallpaper and clean and sanitize your homeTwo modes with fingertip control for continuous or intermittent steamRemoves wallpaper 20 percent faster than non-pressurized steam cleanersGreat for cleaning garage floors, upholstery, grills, tires, and more Wagner's 915 power steamer is ideal for multiple applications in and around the home--including cleaning kitchen floors (view larger). Two Modes for Versatility and PowerThe 120-volt power steamer provides powerful steam that you control with a pull of the power trigger. An illuminated green power light indicates that the steamer is ready to begin steaming; the red light indicates that the heating element is making steam. (The red light will come on when the water temperature reaches 135 degrees F.) Two modes of operation release steam continuously or intermittently, so you can match the cleaning or wallpaper removal power to the job at hand. The steamer's wheels move smoothly across all surfaces for easy use. Chemical-Free Formula Leaves No ResidueThe power steamer uses natural steam to remove wallpaper and clean and sanitize all types of surfaces in your home. It contains no chemicals, so it's safe to use around children and pets, and it won't leave behind greasy chemical residue. Use it to clean sofas, barbeque grills, bathroom fixtures and surfaces, floors, windows, screens, tires and wheels, ATVs, recreatoinal equipment and appliances, and more. Fast, Effective Cleaning, Removal, and SanitizationThe power steamer removes wallpaper 20 percent faster than non-pressurized steam cleaners, and it provides a deep clean of surfaces in and around your home. Its efficient cleaning action kills bacteria beneath the surface for complete sanitation. The steamer also features a jet nozzle that's great for cleaning mud off tires and grease and dirt off concrete, camping equipment, and lawn furniture.Further adding to efficiency, users can change accessories on the fly by holding each accessory over a bucket and pulling the trigger until steam comes out and water stops flowing. Then the steamer is ready for use with each accessory. What's in the BoxPower steamer, window squeegee, floor-cleaning brush and cloth, two extension tubes, measuring cup and fill funnel, utility brushes, and user manual. The power steamer is also ideal for cleaning bathroom surfaces such as tile--and it removes wallpaper 20 percent faster than non-pressurized steamers (click each to enlarge).

This steamer expands from a wallpaper remover to a steamer that cleans and sanitizes and removes wallpaper, grease, and grime. It can clean barbeque grills, floors and rugs, is chemical-Free, and ha fingertip steam control for continuous or intermittent steam. It includes handle/pistol rest, two extension tubes, window/tile squeegee, floor cleaning head and pad, wallpaper steam plate, and an 8-foot steam hose and funnel. It is 1500 watts, has a 45 minute run time, and has a .4 gallon capacity.

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Classic shocker about the terrorized mother of a seemingly sweet little girl with a perverse propensity for luring people to their deaths. Based on a hit play, this chilling tale stars Patty McCormack, Nancy Kelly, Henry Jones, Eileen Heckart. 129 min. Standard; Soundtrack: English Dolby Digital mono; Subtitles: English, French, Spanish; audio commentary by McCormack; "making of" documentary; theatrical trailer.

"A basket full of kisses for a basket full of hugs." Those are chilling words, at least when uttered by that ice princess, Patty McCormack. As Rhoda Penmark, she is as pretty as a porcelain doll but drips venom with each curtsey and polite response. Little Rhoda's mother is terrified she has passed on her own mother's corruption. Oops, turns out she's right. This passes the test of time, as it still gets under your skin. The character development is tight and the story very involving. Not even Freddy Krueger had the ability to scare like tiny McCormack, looking just like a little adult while she literally beats out the competition for a penmanship award. However, director Mervyn LeRoy's hands were tied over the ending, which was changed from the source material--Maxwell Anderson's hit Broadway play. A supposedly more appropriate, and moral, ending was demanded by the studio. This was remade (badly) in 1985. --Rochelle O'Gorman

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For all the slasher pictures that have ripped off Psycho (and particularly its classic set piece, the "shower scene"), nothing has ever matched the impact of the real thing. More than just a first-rate shocker full of thrills and suspense, Psycho is also an engrossing character study in which director Alfred Hitchcock skillfully seduces you into identifying with the main characters--then pulls the rug (or the bathmat) out from under you. Anthony Perkins is unforgettable as Norman Bates, the mama's boy proprietor of the Bates Motel; and so is Janet Leigh as Marion Crane, who makes an impulsive decision and becomes a fugitive from the law, hiding out at Norman's roadside inn for one fateful night. --Jim Emerson

Arguably Alfred Hitchcock's most popular film, this classic chiller, based on Robert Bloch's novel, is still making people terrified of showers. On the run after stealing $40,000 from her boss, secretary Marion Crane (Janet Leigh) has a fateful encounter with creepy mama's-boy hotel clerk Norman Bates (Anthony Perkins). Just what is Norman's sinister secret? And whatever happened to Mrs. Bates? With Vera Miles, John Gavin, Martin Balsam; score by Bernard Herrmann. 109 min. Widescreen; Soundtracks: English Dolby Digital mono, French Dolby Digital mono; Subtitles: Spanish; "making of" documentary; newsreel footage; theatrical trailers; photo gallery; censored scenes.

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Masterpiece indeed. With 14 films, each supplemented with numerous documentaries, commentaries, and other bonus materials, Alfred Hitchcock - The Masterpiece Collection will be the cornerstone for any serious DVD library. Packaged in a beautiful, conversation-starting velvet box, the individual discs inside come four to a case, decorated with original poster art. No doubt opinionated fans will argue about what should fall under the rubric of "masterpiece" in Hitchcock's body of work, but with the bona fide classics Vertigo, Psycho, and The Man Who Knew Too Much, there's plenty of timeless movie magic here. Eye-popping transfers and gorgeous sound make this set one of the must-have releases of the year. Should the Hitchcock fan have the energy for more after imbibing on the movies themselves, a bonus disc provides additional documentaries. These include a revealing interview in which the master of suspense discusses, among other things, how much he dislikes working with method actors, going so far as to name names (we're talking about you, Jimmy Stewart and Montgomery Clift). In an American Film Institute lifetime achievement ceremony, the master of suspense is praised by the likes of Stewart and Ingrid Bergman, and seems to be suffering from severe boredom as celebrities pile on the flattery. Then Hitchcock opens his mouth to accept the award, delivering an endlessly witty stream of perfect bon mots that prove once again that he was a master of high comedy as well. Revealing documentaries about the making of Psycho and The Birds round out the feast of extras. The 36-page booklet, filled mostly with stills and poster art, provides little new information about the films.--Ryan Boudinot Films Included in Alfred Hitchcock - The Masterpiece Collection Saboteur Robert Cummings stars as Barry Kane, a patriotic munitions worker who is falsely accused of sabotage, in this wartime thriller from Alfred Hitchcock. Plastered across the front page of every newspaper and hated by the nation, Kane's only hope of clearing his name is to find the real villain. The script as a whole is a clever one--Algonquin wit Dorothy Parker shares a screenwriting credit, and her trademark zingers make for a terrific mix of humor and suspense. Saboteur is a pleasure whether you're a die-hard Hitchcock fan or just someone who likes a good nail-biter. --Ali Davis Shadow of a Doubt Alfred Hitchcock considered this 1943 thriller to be his personal favorite among his own films, and although it's not as popular as some of Hitchcock's later work, it's certainly worthy of the master's admiration. Scripted by playwright Thornton Wilder and inspired by the actual case of a 1920's serial killer known as "The Merry Widow Murderer," the movie sets a tone of menace and fear by introducing a psychotic killer into the small-town comforts of Santa Rosa, California. Through narrow escapes and a climactic scene aboard a speeding train, this witty thriller strips away the façade of small-town tranquility to reveal evil where it's least expected. And, of course, it's all done in pure Hitchcockian style. --Jeff Shannon Rope An experimental film masquerading as a standard Hollywood thriller, Rope is simple and based on a successful stage play: two young men (John Dall and Farley Granger) commit murder, more or less as an intellectual exercise. They hide the body in their large apartment, then throw a dinner party. Will the body be discovered? Director Alfred Hitchcock, fascinated by the possibilities of the long-take style, decided to shoot this story as though it were happening in one long, uninterrupted shot. Since the camera can only hold one 10-minute reel at a time, Hitchcock had to be creative when it came time to change reels, disguising the switches as the camera passed behind someone's back or moved behind a lamp. James Stewart, as a suspicious professor, marks his first starring role for Hitchcock, a collaboration that would lead to the masterpieces Rear Window and Vertigo. --Robert Horton Rear Window Like the Greenwich Village courtyard view from its titular portal, Alfred Hitchcock's classic Rear Window is both confined and multileveled: both its story and visual perspective are dictated by its protagonist's imprisonment in his apartment, convalescing in a wheelchair, from which both he and the audience observe the lives of his neighbors. Cheerful voyeurism, as well as the behavior glimpsed among the various tenants, affords a droll comic atmosphere that gradually darkens when he sees clues to what may be a murder. At deeper levels, Rear Window plumbs issues of moral responsibility and emotional honesty, while offering further proof (were any needed) of the director's brilliance as a visual storyteller. --Sam Sutherland The Trouble with Harry A busman's holiday for Alfred Hitchcock, this 1955 black comedy concerns a pesky corpse that becomes a problem for a quiet, Vermont neighborhood. Shirley MacLaine makes her film debut as one of several characters who keep burying the body and finding it unburied again. Hitchcock clearly enjoys conjuring the autumnal look and feel of the story, and he establishes an important, first-time alliance with composer Bernard Herrmann, whose music proved vital to the director's next half-dozen or so films. But for now, The Trouble with Harry is a lark, the mischievous side of Hitchcock given free reign. --Tom Keogh The Man Who Knew Too Much Alfred Hitchcock's 1956 remake of his own 1934 spy thriller is an exciting event in its own right, with several justifiably famous sequences. James Stewart and Doris Day play American tourists who discover more than they wanted to know about an assassination plot. When their son is kidnapped to keep them quiet, they are caught between concern for him and the terrible secret they hold. When asked about the difference between this version of the story and the one he made 22 years earlier, Hitchcock always said the first was the work of a talented amateur while the second was the act of a seasoned professional. Indeed, several extraordinary moments in this update represent consummate filmmaking, particularly a relentlessly exciting Albert Hall scene, with a blaring symphony, an assassin's gun, and Doris Day's scream. The Man Who Knew Too Muchis the work of a master in his prime. --Tom Keogh Vertigo Although it wasn't a box-office success when originally released in 1958, Vertigo has since taken its deserved place as Alfred Hitchcock's greatest, most spellbinding, most deeply personal achievement. James Stewart plays a retired police detective who is hired by an old friend to follow his wife (a superb Kim Novak, in what becomes a double role), whom he suspects of being possessed by the spirit of a dead madwoman. Shot around San Francisco (the Golden Gate Bridge and the Palace of the Legion of Honor are significant locations) and elsewhere in Northern California (the redwoods, Mission San Juan Batista) in rapturous Technicolor, Vertigo is as lovely as it is haunting. --Jim Emerson Psycho For all the slasher pictures that have ripped off Psycho (and particularly its classic set piece, the "shower scene"), nothing has ever matched the impact of the real thing. More than just a first-rate shocker full of thrills and suspense, Psycho is also an engrossing character study in which director Alfred Hitchcock skillfully seduces you into identifying with the main characters--then pulls the rug (or the bathmat) out from under you. Anthony Perkins is unforgettable as Norman Bates, the mama's boy proprietor of the Bates Motel; and so is Janet Leigh as Marion Crane, who makes an impulsive decision and becomes a fugitive from the law, hiding out at Norman's roadside inn for one fateful night. --Jim Emerson The Birds Vacationing in northern California, Alfred Hitchcock was struck by a story in a Santa Cruz newspaper: "Seabird Invasion Hits Coastal Homes." From this peculiar incident, and his memory of a short story by Daphne du Maurier, the master of suspense created one of his strangest and most terrifying films. The Birds follows a chic blonde, Melanie Daniels (Tippi Hedren), as she travels to the coastal town of Bodega Bay to hook up with a rugged fellow (Rod Taylor) she's only just met. Before long the town is attacked by marauding birds, and Hitchcock's skill at staging action is brought to the fore. Beyond the superb effects, however, The Birds is also one of Hitchcock's most psychologically complicated scenarios, a tense study of violence, loneliness, and complacency. What really gets under your skin are not the bird skirmishes but the anxiety and the eerie quiet between attacks. Treated with scant attention by serious critics in 1963, The Birds has grown into a classic and--despite the sci-fi trappings--one of Hitchcock's most serious films. --Robert Horton Marnie Sean Connery, fresh from the second Bond picture, From Russia with Love, is a Philadelphia playboy who begins to fall for Tippi Hedren's blonde ice goddess only when he realizes that she's a professional thief; she's come to work in his upper-crust insurance office in order to embezzle mass quantities. His patient program of investigation and surveillance has a creepy, voyeuristic quality that's pure Hitchcock, but all's lost when it emerges that the root of Marnie's problem is phobic sexual frigidity, induced by a childhood trauma. Luckily, Sean is up to the challenge. As it were. Not even D.H. Lawrence believed as fervently as Hitchcock in the curative properties of sexual release. --David Chute Torn Curtain Paul Newman and Julie Andrews star in what must unfortunately be called one of Alfred Hitchcock's lesser efforts. Still, sub-par Hitchcock is better than a lot of what's out there, and this one is well worth a look. Newman plays cold war physicist Michael Armstrong, while Andrews plays his lovely assistant-and-fiancée, Sarah Sherman. Armstrong has been working on a missile defense system that will "make nuclear defense obsolete," and naturally both sides are very interested. All Sarah cares about is the fact that Michael has been acting awfully fishy lately. The suspense of Torn Curtain is by nature not as thrilling as that in the average Hitchcock film--much of it involves sitting still and wondering if the bad guys are getting closer. Still, Hitchcock manages to amuse himself: there is some beautifully clever camera work and an excruciating sequence that illustrates the frequent Hitchcock point that death is not a tidy business. --Ali Davis Topaz Alfred Hitchcock hadn't made a spy thriller since the 1930s, so his 1969 adaptation of Leon Uris's bestseller seemed like a curious choice for the director. But Hitchcock makes Uris's story of the West's investigation into the Soviet Union's dealings with Cuba his own. Frederick Stafford plays a French intelligence agent who works with his American counterpart (John Forsythe) to break up a Soviet spy ring. The film is a bit flat dramatically and visually, and there are sequences that seem to occupy Hitchcock's attention more than others. A minor work all around, with at least two alternative endings shot by Hitchcock. --Tom Keogh Frenzy Alfred Hitchcock's penultimate film, written by Anthony Shaffer (who also wrote Sleuth), this delightfully grisly little tale features an all-British cast minus star wattage, which may have accounted for its relatively slim showing in the States. Jon Finch plays a down-on-his-luck Londoner who is offered some help by an old pal (Barry Foster). In fact, Foster is a serial killer the police have been chasing--and he's framing Finch. Which leads to a classic Hitchcock situation: a guiltless man is forced to prove his innocence while eluding Scotland Yard at the same time. Spiked with Hitchcock's trademark dark humor, Frenzy also features a very funny subplot about the Scotland Yard investigator (Alec McCowen) in charge of the case, who must endure meals by a wife (Vivien Merchant) who is taking a gourmet-cooking class. --Marshall Fine Family Plot Alfred Hitchcock's final film is understated comic fun that mixes suspense with deft humor, thanks to a solid cast. The plot centers on the kidnapping of an heir and a diamond theft by a pair of bad guys led by Karen Black and William Devane. The cops seem befuddled, but that doesn't stop a questionable psychic (Barbara Harris) and her not overly bright boyfriend (Bruce Dern, in a rare good-guy role) from picking up the trail and actually solving the crime. Did she do it with actual psychic powers? That's part of the fun of Harris's enjoyably ditsy performance. --Marshall Fine

Fifteen-disc boxed set includes "Saboteur," "Shadow of a Doubt," "Rope," "Rear Window," "The Trouble with Harry," "The Man Who Knew Too Much" (1956), "Vertigo," "Psycho," "The Birds," "Marnie," "Torn Curtain," "Topaz," "Frenzy," "Family Plot," and a disc featuring the "AFI Salute to Alfred Hitchcock" program and the documentary "Masters of Cinema: Alfred Hitchcock."

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Mildew stain remover plus blocker is made with a unique patented formula that removes mildew stains and provides effective long term mold and mildew stain prevention. It is the only formula that cleans mildew stains, soap scum, and mineral deposits (like

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Extendable from 25" x 48". Hardware included. 100% iron. Available in Black and Bronze.

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Our black metallic fringe curtain adds a shimmering accent to any doorway or wall. The black metallic fringe curtain is the perfect backdrop for any performance stage or theater. This black metallic fringe curtain is a great accessory for your prom, New Year's Eve party, Halloween party, or any other event. Size: 3' wide x 8' drop 1 per package 

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Eclipse Thermaliner Pair Curtains. Experience the darkness, silence and beauty of Eclipse curtains, without parting from your existing curtains. Eclipse Thermaliner panels have been laboratory-tested to block out over 99% of outside light, up to 40% of unwanted noise, and can help to save up to 25% off home heating and cooling costs. Additionally, based on recommendations from National Sleep Foundation, blocking unwanted light and noise while you sleep helps create the optimal sleeping environment, which allows for a better quality of sleep. Eclipse Thermaliners bring your existing curtains from fashionable to functional. Hang them in your media room for the ultimate home theater experience, or in your dining area to create an intimate date night. Eclipse Thermaliners are also designed to be perfect in the bedroom, kids room or nursery to create the ideal sleep environment for the whole family. Blackout liners are versatile and can be attached to any window curtain using easy-to-use hooks included; or hung from a separate rod. Rod pocket fits up to a 1.5 in. diameter rod. Rod not included. Panel pairs include two panels. 100% Polyester. Easy care machine wash, tumble dry, do not bleach. Dimensions: 60" Length - 60" L x 54" W 80" Length - 80" L x 54" W