Lights White

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Plug in Prestos PopLite and the party begins. In less than 2.5 minutes you will have up to 18 cups which is equal to two large bowlfuls of fluffy popcorn with virtually no unpopped kernels. And because the machine uses hot air instead of oil the resulting snack is healthier and lower in calories. Thats not to say you can nott add butter in fact the half cup measuring cup on top of the popper doubles as a butter melter. Simply put in the desired amount of margarine or butter and it melts from the heat produced during the popping process. The clear plastic cover and cup which must stay on during popping so the popped corn does not fly all over the room easily remove for hand cleaning with warm soapy water. No other clean-up is required. While a few unpopped kernels spring out the chute as the machine begins to heats up the chute does a good job of directing the popped corn into a bowl.

Plug in Presto's PopLite and the party begins. In less than 2-1/2 minutes you'll have up to 18 cups--two large bowlfuls--of fluffy popcorn with virtually no unpopped kernels. And because the machine uses hot air instead of oil, the resulting snack is healthier and lower in calories. That's not to say you can't add butter; in fact, the 1/2-cup measuring cup on top of the popper doubles as a butter melter. Simply put in the desired amount of margarine or butter (room temperature is best), and it melts from the heat produced during the popping process. The clear plastic cover and cup, which must stay on during popping so the popped corn doesn't fly all over the room, easily remove for hand cleaning with warm, soapy water. No other clean-up is required. While a few unpopped kernels spring out the chute as the machine begins to heats up, the chute does a good job of directing the popped corn into a bowl. The popper measures 14 by 9 by 6-1/2 inches, and is identical to Presto's Orville Redenbacher Hot Air Corn Popper except for color and logo. Presto covers the PopLite with a two-year warranty. --Ann Bieri

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This Cuisinart Perfectemp Cordless Electric Programmable Kettle offers latest innovation for this product category%2E Heating water will never be easier with this handsome brushed stainless steel kettle%2E Great for making tea%2C hot chocolate or instant soups%2E It will quickly bring 1%2E75 quarts of water to a boil and then turn itself off%2E

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No Description AvailableNo Track Information AvailableMedia Type: CDArtist: WHITE STRIPESTitle: ICKY THUMPStreet Release Date: 06/19/2007

Bagpipes, a song written as the soundtrack to a Michel Gondry music video, Patti Page's musical shadow, and Jack and Meg co-narrating a scavenger's rummages: It must be time for Icky Thump, the many-flavored riposte to 2006's Get Behind Me Satan. The duo starts big with the title track--Jack's fast-tumbling, falsetto-tinged lyrics jagging on hyper keyboard-sounding segues and Meg's pounding drums. They rarely shy from an idea, invoking acoustic Bob Dylan to frame "300 M.P.H. Torrential Outpour Blues," but interjecting a series of distortion-laden guitar paroxysms for good measure. The end of Icky, on "Effect and Cause," is where Jack's trademark vocal warble and spare, quick acoustic strums meet Meg's single-minded beats. Everywhere on Icky giant riffs leap and shout, with Flamenco horns and those eerie bagpipes and rhythmic shifts and Jack's impatient vocal kinetics, marking new territories even as the White Stripes again populate them with vintage ideas. --Andrew Bartlett

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All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

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Don't call Santi White an R&B artist: on her debut album Santogold, this former music biz A&R and pop songwriter for hire is challenging race stereotypes and playing fast and loose with genre, mashing up dub, punk, and electronics to make an energetic, anger-fuelled music that blurs the lines between the dancefloor and the moshpit. Comparisons to MIA hold some water, especially on the bullish "Creator" (it's worth noting that Santogold features production turns from sometime MIA collaborators Diplo and Switch). For the most part, though, Santogold's debut follows a quite different path. "L.E.S Artists" is stirring new-wave pop that builds to grand, tearful choruses reminiscent of the Yeah Yeah Yeahs, while "You'll Find a Way" and "Say Aha" are propulsive ska-pop numbers that hark back to its creator's previous band, Bad Brains-influenced punks Stiffed. But it's not just skilful genre-skipping to recommend this record, though: White is the rare vocalist that can sound empowered and vulnerable within the space of the same song, and it's her force of character that places Santogold ahead of the pack. --Louis Pattison

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

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When the theatrical release of James Cameron's Titanic was delayed from July to December of 1997, media pundits speculated that Cameron's $200 million disaster epic would cause the director's downfall, signal the end of the blockbuster era, and sink Paramount Studios as quickly as the ill-fated luxury liner had sunk on that fateful night of April 14, 1912. Some studio executives were confident, others horrified, but the clarity of hindsight turned Cameron into an Oscar-winning genius, a shrewd businessman, and one of the most successful directors in the history of motion pictures. Titanic would surpass the $1 billion mark in global box-office receipts (largely due to multiple viewings, the majority by teenage girls), win 11 Academy Awards including best picture and director, produce the best-selling movie soundtrack of all time, and make a global superstar of Leonardo DiCaprio. A bona fide pop-cultural phenomenon, the film has all the ingredients of a blockbuster (romance, passion, luxury, grand scale, a snidely villain, and an epic, life-threatening crisis), but Cameron's alchemy of these ingredients proved more popular than anyone could have predicted. His stroke of genius was to combine absolute authenticity with a pair of fictional lovers whose tragic fate would draw viewers into the heart-wrenching reality of the Titanic disaster. As starving artist Jack Dawson and soon-to-be-married socialite Rose DeWitt Bukater, DiCaprio and Kate Winslet won the hearts of viewers around the world, and their brief but never-forgotten love affair provides the humanity that Cameron needed to turn Titanic into an emotional experience. Present-day framing scenes (featuring Gloria Stuart as the 101-year-old Rose) add additional resonance to the story, and although some viewers proved vehemently immune to Cameron's manipulations, few can deny the production's impressive achievements. Although some of the computer-generated visual effects look artificial, others--such as the sunset silhouette of Titanic during its first evening at sea, or the climactic splitting of the ship's sinking hull--are state-of-the-art marvels. In terms of sets and costumes alone, the film is never less than astounding. More than anything else, however, the film's overwhelming popularity speaks for itself. Titanic is an event film and a monument to Cameron's risk-taking audacity, blending the tragic irony of the Titanic disaster with just enough narrative invention to give the historical event its fullest and most timeless dramatic impact. Titanic is an epic love story on par with Gone with the Wind, and like that earlier box-office phenomenon, it's a film for the ages. --Jeff Shannon

Leonardo DiCaprio (Actor), Kate Winslet (Actor) | Rated: PG-13 | Format: VHS Tape

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The Star Wars trilogy had the rare distinction of becoming more than just a series of movies, but a cultural phenomenon, a life-defining event for its generation. On its surface, George Lucas's original 1977 film is a rollicking and humorous space fantasy that owes debts to more influences than one can count on two hands, but filmgoers became entranced by its basic struggle of good vs. evil "a long time ago, in a galaxy far, far away," its dazzling special effects, and a mythology of Jedi Knights, the Force, and droids.

The Star Wars trilogy had the rare distinction of becoming more than just a series of movies, but a cultural phenomenon, a life-defining event for its generation. On its surface, George Lucas's original 1977 film is a rollicking and humorous space fantasy that owes debts to more influences than one can count on two hands, but filmgoers became entranced by its basic struggle of good vs. evil "a long time ago, in a galaxy far, far away," its dazzling special effects, and a mythology of Jedi Knights, the Force, and droids. In the first film, Luke Skywalker (Mark Hamill) gets to live out every boy's dream: ditch the farm and rescue a princess (Carrie Fisher). Accompanied by the roguish Han Solo (Harrison Ford, the only principal who was able to cross over into stardom) and trained by Jedi master Obi-Wan Kenobi (Alec Guinness), Luke finds himself involved in a galactic war against the Empire and the menacing Darth Vader (David Prowse, voiced by James Earl Jones). The following film, The Empire Strikes Back (1980), takes a darker turn as the tiny rebellion faces an overwhelming onslaught. Directed by Irvin Kershner instead of Lucas, Empire is on the short list of Best Sequels Ever, marked by fantastic settings (the ice planet, the cloud city), the teachings of Yoda, a dash of grown-up romance, and a now-classic "revelation" ending. The final film of the trilogy, Return of the Jedi (1983, directed by Richard Marquand), is the most uneven. While the visual effects had taken quantum leaps over the years, resulting in thrilling speeder chases and space dogfights, the story is an uneasy mix of serious themes (Luke's maturation as a Jedi, the end of the Empire-rebellion showdown) and the cuddly teddy bears known as the Ewoks. Years later, George Lucas transformed his films into "special editions" by adding new scenes and special effects, which were greeted mostly by shrugs from fans. They were perfectly happy with the films they had grown up with (who cares if Greedo shot first?), and thus disappointed by Lucas's decision to make the special editions the only versions available. --David Horiuchi

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This silky smooth film noir pits gruff police detective Dana Andrews, stiff and blunt in his street-bred manners, against a cultured columnist and acidic wit (Clifton Webb at his prissiest) in a battle of wits during a murder investigation. The cop is a romantic hiding under a hard-boiled exterior who falls in love with the beautiful victim through the portrait that hangs in her apartment. Gene Tierney, whose heart-shaped face mixes the exotic with the girl next door, brings the poise and calm of a model to her role as the object of every man's gaze and the target of a killer. Laura, handsomely shot in dreamy black and white, is the first and best of Otto Preminger's cool, controlled murder mysteries. In the gritty world of film noir it remains the most refined and elegant example of the genre, but under the tasteful decor and high-society fashions lies a world seething in jealousy, passion, blackmail, and murder. Vincent Price costars as a blithe gigolo and David Raksin's lush theme has become a wistful romantic standard. --Sean Axmaker

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Disney's 1959 animated effort was the studio's most ambitious to date, a widescreen spectacle boasting a gorgeous waltz-filled score adapting Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked Queen in Disney's Snow White and the Seven Dwarfs taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her 16th birthday. This, of course, would deny her a happily-ever-after with her true love. Things almost but not quite turn out that way, thanks to the assistance of some bubbly, bumbling fairies named Flora, Fauna, and Merryweather. It's not really all that much about the title character--how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here. And Malificent's castle, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur. --David Kronke On the DVDSleeping Beauty was the last and most lavish of Walt Disney's animated fairy tales. He told the artists not to hurry and to give him "a moving illustration": The film required almost four and one-half years and one million finished drawings. Instead of the 19th century storybook illustrations that had influenced the look of Snow White and Pinocchio, the artists adapted the flattened perspective and jewel-like colors of 15th century French illuminated manuscripts. The results remain unmatched for sheer visual opulence. However, Sleeping Beauty suffers from a weak story: the vision of an ageless princess slumbering in a vine-shrouded tower was replaced with elements of Snow White and a boy-meets-girl musical. The evil Maleficent and the three Good Fairies (Flora, Fauna, and Merryweather) dominate the film, rather than Princess Aurora and Prince Philip. Sleeping Beauty was originally released in 70mm, and the Blu-ray edition restores the film to its original splendor. (Many earlier releases trimmed the wide-screen images and/or muted the glowing palatte.) The Bonus DVD looks good on a flat screen monitor, but it pales in comparison to the richness of the Blu-ray. In addition to the commentaries and a making-of documentary, the set includes myriad extras that vary widely in quality. Nostalgia buffs will enjoy the recreation of the old Sleeping Beauty's Castle attraction in Disneyland, and the TV program "Four Artists Paint One Tree" provides a welcome showcase for key talents from the film. But the CG animation of the dragon and the voice imitations of the Good Fairies fail to capture the magic of the originals in the "Dragon Encounter"; the "Maleficent's Challenge Game"--a hi-tech Twenty Questions--sounds only vaguely like the redoubtable sorceress. (Rated G: violence) --Charles Solomon Stills from Sleeping Beauty (Click for larger image)

A beautiful princess born in a faraway kingdom is destined by a terrible curse to prick her finger on the spindle of a spinning wheel and fall into a deep sleep which can only be awakened by true love's first kiss. Though the titular princess is on par with the rest of Disney's essential heroines, most of the fun arises from the trio of charming fairies entrusted with her care: Flora, Fauna, and Meriweather. Meanwhile the evil Malificent may just be Disney's most chilling villainess. This classic makes wondrous use of Tchaikovsky's same-titled ballet score, which earned SLEEPING BEAUTY an Academy Award nomination for Best Scoring of a Musical Picture.

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Some televised dramas focus on families, others on singles and couples, but NBC's Friday Night Lights, among the finest shows of the decade, takes on an entire town. As with Sports Night, minimal enthusiasm for athletics presents no hindrance to enjoyment, just an interest in the concerns of Dillon, TX's populace, indelibly captured through authentic locations, handheld cameras, and naturalistic acting. If the off-shoot of creator Peter Berg's feature film doesn't look like most primetime programs, the cinematic score from Austin's Explosions in the Sky contributes to the big-screen impression. Since the first season, Coach Taylor (Kyle Chandler) and his wife, Tami (Connie Britton), now Dillon High principal, remain constants as they guide their charges--including 17-year-old daughter Julie (Aimee Teegarden)--through games, classes, and beyond. Where Jason Street and Smash Williams began as major players, they fade from view in the third as they figure out their post-grad futures. Instead, big-hearted garage-rocker Landry (Observe and Report's Jesse Plemons) emerges as the heart of the show, while his best friend, Matt (Zach Gilford), reaches out to his estranged mother, Shelby (Kim Dickens), for help when his grandmother’s deteriorating mental condition becomes too much to bear. If everyone has financial struggles of some kind, new quarterback JD. McCoy (Jeremy Sumpter) shares no such concerns. By the end of the season, however, his controlling father, Joe (D.W. Moffett), will go too far. And after a misguided move into criminal intrigue during the second year, Lights avoids any similar missteps this time around, and the entire cast rises to the occasion, including Taylor Kitsch (Riggins), Minka Kelly (Lyla), and Adrianne Palicki (Tyra), who portrays the show's trickiest character, a self-obsessed senior who takes advantage of Landry whenever it suits her needs. Extras include deleted scenes and insightful commentary from writer/producer Jason Katims. --Kathleen C. Fennessy

All 13 episodes from season three--including "I Knew You When," "Every Rose Has Its Thorn," "The Giving Tree," "A Hard Rain's Gonna Fall," and "Tomorrow Blues"--are featured in a four-disc set. 9 1/2 hrs. total. Widescreen (Enhanced); Soundtrack: English Dolby Digital 5.1; Subtitles: English (SDH); deleted scenes; audio commentary. **13 episodes on 4 discs. 9 1/2 hrs.**

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The Twilight Zone - Season 1 (The Definitive Edition) Submitted for your approval: The Twilight Zone's inaugural season, all 36 episodes complete with Rod Serling's original promos for the following week's episode, not seen since their original broadcast. To discuss television's greatest anthology series whose title has become pop culture shorthand for the bizarre and supernatural is to immediately become like Albert Brooks and Dan Aykroyd in Twilight Zone: The Movie; a can-you-top-this recall of famous shocks and favorite twists. Several essential episodes hail from this season, among them, "Time Enough at Last" starring Burgess Meredith as a bespectacled bookworm who is the lone survivor of an atomic blast; "The After-Hours" starring Anne Francis as a department store shopper haunted by mannequins; and the profoundly disturbing "The Monsters Are Due on Maple Street," in which fear and prejudice turns neighbor against neighbor (and, by the by, whose alien observers inspired Kang and Kodos on The Simpsons). From an unsettlingly persistent hitchhiker to a malevolent slot machine, The Twilight Zone's first season did plumb "the pit of man's fears." One forgets how moving the series could be. Three of this season's most memorable and enduring episodes are the poignant and primal "stop-the-world-I-want-to-get-off fantasies, "Walking Distance," "A Stop at Willougby" and "The Sixteen-Millimeter Shrine," in which desperate characters seek refuge in a simpler past. Serling's few stabs at comedy ("Mr. Bevis," "The Mighty Casey") have not aged well, but the series finale, "A World of His Own," starring Keenan Wynn as a playwright whose fictional characters come to life, has a brilliant capper. The episodes are more deliberately paced than one might remember. Less patient younger viewers might be anxious to get to the payoffs, but once they settle into the rhythm, they will savor the literate writing and the performances by such veteran actors as Ed Wynn, Everett Sloan, and Ida Lupino, and newcomers such as Jack Klugman. The extras, including the unaired version of the pilot episode, "Where is Everybody?", audio commentaries and recollections, and a Serling college lecture, truly take this six-disc set to another dimension. --Donald Liebenson The Twilight Zone - Season 2 (The Definitive Edition) The middle ground between light and shadow just became a whole lot sharper and detailed with this stellar five-disc set, which compiles the entire second season of Rod Serling's classic television series, The Twilight Zone, and gilds the whole package by including a treasure trove of supplemental material. TZ's second season (1960-61) is a stand-out in the series' history thanks to its sheer number of memorable stories; among the episodes that have achieved pop culture landmark status are the chilling "Eye of the Beholder" (a disfigured woman undergoes surgery to appear more "normal") and "The Silence" (Franchot Tone wagers that Liam Sullivan cannot silent for a year); "The Invaders" (Agnes Moorhead is pitted against tiny space travelers), "Long Distance Call" (Lost in Space's Billy Mumy converses with a deceased relative on his toy phone), and the more light-hearted "Night of the Meek," in which department store Santa Claus Art Carney gets a chance to fulfill the real St. Nick's duties. As always, the combination of sharp, intelligent scripting (mostly by Serling, but with notable contributions by Charles Beaumont, Richard Matheson, and George Clayton Johnson) and superb casting (guest stars include Cliff Robertson, Dennis Weaver, Burgess Meredith, William Shatner, John Carradine, and Don Rickles) produces television that remains as thought-provoking and entertaining today as it was over 40 years ago. Though The Twilight Zone has received numerous home video releases over the years, the aptly titled Definitive Edition is arguably the finest presentation of this series to date. Each of the episodes have been digitally remastered from original camera negatives (even the episodes filmed on videotape look good) and magnetic soundtracks; Serling's previews for upcoming episodes and advertising "billboards" (sponsor spots) have also been included, as have commentaries by Rickles, Weaver, Robertson, Shelly Berman, and other performers. Clips of Serling on The Jack Benny Show and in conversation with Mike Wallace, audio interviews with cast and crew members by Twilight Zone Companion author Marc Scott Zicree, radio adaptations of classic episodes, and even the script for "Twenty-Two," complete with Serling's notes, round out the set, which belongs in the collection of anyone who's ever been enthralled by this landmark series. Now, if only the same treatment could be afforded to Serling's other anthology program, Night Gallery… --Paul Gaita The Twilight Zone - Season 4 (The Definitive Edition) Despite major changes in personnel and the ill-advised switch to a full-hour format, Twilight Zone (with "The" removed from its title) began its fourth season on a promising note. Written by series veteran Charles Beaumont, the premiere episode "In His Image" maintained the high standards that Rod Serling had established throughout the first three seasons, and the story--about a man (George Grizzard) who builds an exact robot replica of himself, with dire consequences--fit well into the hour-long format that Serling reluctantly went along with. Twilight Zone struggled with its expanded length, resulting in some episodes that lack the consistent punch of earlier half-hour episodes. Exhausted by three seasons of prodigious creativity, Serling and Buck Houghton vacated their roles as producers (with Serling's involvement limited to script feedback, writing nearly half of the season's episodes, and on-screen hosting), and TV veteran Herbert Hirschman became the new show-runner (departing mid-season, he was replaced by Bert Granet), promising not to tinker with the series' proven success. But Twilight Zone was inevitably becoming a shadow of its former self, and the involvement of proven TZ writers like Richard Matheson, Earl Hamner, Jr., and Beaumont could not entirely compensate for Serling's growing detachment. Still, these 18 episodes include some fine examples of enduring quality, such as Matheson's "Death Ship," starring Jack Klugman and Ross Martin in a recurring nightmare scenario, and featuring the same spaceship model used in the 1956 sci-fi classic Forbidden Planet. Beaumont's "Miniature," starring Robert Duvall, was the only hour-long episode pulled from initial syndication (due to a plagiarism lawsuit that was ultimately dismissed), so its inclusion here (along with color scenes from its eventual syndication) is a welcome treat. Serling lampoons the medium of television with "The Bard" (with an early appearance by Burt Reynolds), and his teleplay for "On Thursday We Leave for Home" is the season's highlight, ranking among Twilight Zone's finest science-fiction episodes. It remained clear, however, that Twilight Zone was past its prime, and when the series was renewed for a fifth season in the spring of 1963, a return to its original half-hour format was a belated step in the right direction. Of course, season 4's overall strengths and weaknesses won't matter to collectors of The Definitive Edition DVD sets, and a wealth of archival bonus features make this a must-have addition to anyone's TZ collection. Image Entertainment and features producer Paul Browstein deserve extra credit for their diligent assembly of supplements that render all previous TZ releases virtually obsolete. Nothing has been overlooked, from the commentary (on "Death Ship") and interview clips by acclaimed TZ expert Mark Scott Zicree to the inclusion of a vintage TZ spoof from Saturday Night Live, radio-show adaptations starring Blair Underwood, Jason Alexander, Lou Diamond Phillips and others, and a vintage Twilight Zone comic book, accessible on computers with Adobe reader installed. There's even a brief Rod Serling blooper taken from a scratchy 16-millimeter print, proving that no stone was left unturned in making this a truly definitive TZ collection. --Jeff Shannon

All 156 episodes from the 1959-64 series are included in this 28-disc set. **156 episodes on 28 discs. 75 1/2 hrs.**

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Among the thinnest, lightest covers for the Kindle Fire, the MicroShell Folio is more than you'd expect with an advanced, ultra-low profile design. The MicroShell Folio combines a thin, hard polycarbonate back with a soft front lid to protect both the back and the front of your new Kindle device from scratches and impact. It snaps easily to your Kindle tablet, and quickly transforms from a protective cover to a fold-behind stand for hands-free viewing or display. For added convenience, the MicroShell Folio includes a built-in elastic strap to secure the lid in the open or closed position. A sophisticated blend of hard shell and soft fabric, the MicroShell Kindle Fire cover offers the best of both worlds.

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BROTHER INTERNATIONAL CORPORAT HIGH YIELD TONER (YIELDS APPROX. 2600 PAGES IN ACCORDANCE WITH ISO/IEC 19752 (LHIGH YIELD TONER (YIELDS APPROX. 2600 PAGES IN ACCORDANCE WITH ISO/IEC 19752 (LETTER/A4)) Manufacturer : BROTHER INTERNATIONAL CORPORAT UPC : 012502626770

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Includes (12) 1/2 ounce jars of icing colors. Various color sets available, each sold separately. Now you can take big steps when it comes to adding colors to your collection without having to spend big bucks! Made in USA.

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White Bean & Pasta Soup (1.8 oz cup) A delicious soup rich in navy beans with tomatoes, carrots, herbs and pasta. It has fabulous flavor and only 360 mg of sodium while delivering a whooping 8g of fiber and 7 g plant protein. Dairy Free. Low sodium. Vegan. Ingredients: WHITE BEANS, PASTA (SEMOLINA DURUM WHEAT), VEGETABLES* (TOMATO, ONION, CARROT, GARLIC, CELERY) POTATO STARCH, YEAST EXTRACT, NATURAL FLAVORS (NON-ANIMAL SOURCE), HERBS* (PARSLEY, BASIL, SAGE), SPICES. *DRIED NOTE : All product information on this website is provided by the product manufacturer and is believed to be current. However, OrganicDirect does not guarantee the completeness or accuracy of this information. For the most complete and accurate product data, we suggest you contact the product manufacturer.

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CHICKEN OF THE SEA's Canned, pouched and frozen seafood is an almost perfect food! It's an inexpensive and easy-to-prepare source of important nutrients like omega-3, calcium, protein and more. In addition, Chicken of the Sea's canned and pouched tuna and salmon, frozen shrimp and other seafood are low in fat and calories when compared with other proteins.

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Charge your Syma helicopter with out having to drain your transmitter batteries or use a computer in less time.

This charger will not work properly on Fake Syma S107 do to the fact they are wired diffrently

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There's no better way to inspire your artist! Generously sized chalk board and dry erase boards are perfect for projects large and small. Easel folds ups easily for convenient storage and features a colorful paint tray with cup holders. Has an easy loading paper roll holder and an extra large tray for holding erasers, chalk and clips. Paper cutting edge at top of easel means clean paper cuts for your artist's work! 4 large clips included. Easy load paper and paint cups not included.

With the Melissa & Doug Deluxe Easel, children can create art with paint, chalk, pens, crayons, markers, and more, all at one convenient station. And when art time is over, parents and caregivers will appreciate the two-sided easel's easy-to-clean design. Designed for kids ages three and up, this easel will provide hours of creative activity that is both educational and enjoyable. Deluxe Floor-Standing Wooden Easel Ages: 3+ Requires: Adult assembly What We Think Fun factor: Durability: Ease of assembly: Educational factor: Novelty factor: The Good: Two-sided easel lets children create art with a variety of different media. The Challenging: Art supplies and paper must be purchased separately. In a Nutshell: Easy-to-clean 2-sided art easel offers ample space for creative expression. Kids can create art with paint, chalk, pens, crayons, markers, and more, all at one convenient station. The integrated butcher paper roll makes it easy to pull the paper through either side of the easel. (Paper sold separately.)View larger. Designed for Maximum Creativity The Melissa & Doug Deluxe Easel features a bi-fold wood frame with two art stations, one on each side, which allows two children to work at one time. It's also designed to let children experiment with several different art media: on one side is a chalkboard, on the other is a dry erase board, and in between the two easel sides is a dowel for holding a butcher paper roll. (Paper must be purchased separately.) Pull the paper through to either side of the easel for your child to paint or draw. Once the painting is complete, the paper can be torn neatly against the top of the frame and set aside to dry, and a new length of paper can be pulled down for the next art creation. The easel includes sturdy clips that can hold oversized individual art papers onto the easel's surfaces. Art Made Easy Early childhood education experts say that working on easels offers a variety of valuable learning opportunities for the preschool-aged child. Painting or drawing with large strokes encourages motor development while giving the child the opportunity to experiment with color, shapes, and the varied textures created by different art media. Our preschool-aged toy tester enjoyed working on the easel, whether she was drawing with chalk or painting with poster paints. In fact, her creative output increased significantly with the easel. She especially enjoyed mixing paints to make different colors. Like many children her age, she likes standing while engaged in creative play, and the easel makes it much easier for her to draw and paint large pictures without having to reach awkwardly across a table surface or kneel on the floor. Cleanup, Simplified As everyone knows, art can be messy, so that's why parents and caregivers will appreciate the easel's easy-to-clean design. The trays and art boards are held in place with screws that have large plastic knobs for easy loosening and tightening. This allows the trays and board to be easily removed, and washed individually in the sink. (We strongly recommend using only washable paints with this toy.) The easel also folds flat for easy storage: just unscrew the crossbars and close the stand for easy storage against a wall or under a bed. The easel also includes two plastic storage trays: one tray is a long trough, perfect for holding pens or chalk; the other has four spaces for paint cups and additional sections for paint brushes and other supplies. Unfortunately, art supplies are not included with the Melissa & Doug Deluxe Easel. However, you can purchase the following accessories separately: the Melissa & Doug Deluxe Easel Companion Set, which is a collection of art supplies for the easel; and the Melissa & Doug Deluxe Easel Paper 3-Pack, which includes three large rolls of paper. About Melissa & Doug Started in the garage at Doug's parents' house in 1988, Melissa & Doug has grown to become one of the most popular toy makers in the world. Their toys have garnered dozens of parenting and "best toy" awards over the years, and have been featured widely in national print media and on television. One of the company's points of pride is that their toys are thoroughly tested for safety, and meet all US consumer product safety regulations. The toys are tested at the factory of origin during various phases of the production process to assure that every toy meets the company's stringent safety requirements every step along the way. In particular, the paints and coatings on Melissa & Doug toys are tested frequently to be sure they meet or exceed government recommendations limiting heavy metals and lead in children's items. Since day one, Melissa & Doug has been in compliance with every US consumer product safety regulation and will continue to stay compliant as the laws continue to evolve, assuring parents that their children can have a safe childhood while playing with Melissa & Doug toys. What's in the Box Two-sided art easel, instructions, and all necessary hardware for assembly.

.caption { font-family: Verdana, Helvetica neue, Arial, serif; font-size: 10px; font-weight: bold; font-style: italic; } .headline { font-size: 15px; font-weight: bold; } ul.indent { list-style: inside disc; text-indent: -15px; } Inspire your young Picasso with the Melissa and Doug Deluxe Standing Easel. This easel will fuel your child's imaginative side and gives them the freedom to create with an extra-large chalkboard, dry-erase board, and easy-load paper roller. Your budding artist will be inspired by free-form expression and spend hours drawing, painting, sketching, and doodling. It is also an excellent educational item and children love playing school with the chalkboard side. This work station is ideal for kids ages four through 10 and has an adjustable height to accommodate the little ones as they grow. A Great Alternative to Professional Easels Just like a professional easel, this work station is generously sized so that children can complete projects both big and small. Its durable wood construction ensures that it won't tip and it folds up easily for convenient storage. The easel also has a sturdy paint tray with cup holders for easy use and clean-up, and another tool tray that holds erasers, chalks, and clips. Four large, colorful clips are included with this easel. Paper rolls can be loaded effortlessly into the holder and a paper cutting edge at the top delivers clean cuts and leaves your artist's work whole. Parents may have to assist removing and loading the paper, as it can be difficult for kids to do on their own. (The paper rolls and paint cups are not included.) A standing easel is essential for any young artist. This large easel has a chalkboard, dry erase board, and paper roller to let the children express themselves with different mediums. It also has an adjustable height that grows with the creator and delivers years of use. The brightly colored tool containers are capacious enough to hold lots of different items and are simple for tiny fingers to utilize. This toy will unleash the little artist inside every child and could spark a lifelong interest in fine art. What's in the Box Easel, paint tray, chalk tray, 4 colorful clips, and paper roller. This large easel has a chalkboard and dry erase board, letting children express themselves with different mediums.

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Description

The best brand of glow bracelets in the market. You will receive 1 tube of 100 Lumistick luminescent light glow bracelets. Your order will contain an even mix of 5 colors -- Blue, Green, Yellow, Orange, and Pink. Your order will also contain 100 connectors so you can hook the ends together to make bracelets, necklaces and more. Once they start glowing, Lumistick brand glow light bracelets will last you all night. They will glow super bright for 8 - 12 hours. After that, they will start to fade out but may continue to emit some light for up to 36 hours. These Lumistick brand glow bracelets come fresh from the factory and were manufactured just a few weeks ago. We are constantly getting new shipments from the factory, so you know these are as fresh and new as they come. They have a shelf life of 2 years. Glow bracelets contain two non-toxic chemicals that emit light or glow when they are mixed together. Inside the glow bracelets is a thin glass tube containing one chemical and surrounded by the other chemical, when you bend it for the first time, you break the inner glass tube. This mixes the two chemicals together inside the plastic bracelets tube. Just shake it up and presto -- it starts glowing like magic! Lumistick brand glow bracelets are non-toxic, non-flammable and non-radioactive. The almost never break open, but if they do, the chemicals inside can be washed off skin and clothes with ordinary soap or detergent.